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诚品画廊 :【庄普
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诚品画廊 【庄普——幻觉的宇宙】

左图:庄普,《曜》,2019,压克力颜料/画布,130 x 130 cm;右图:庄普,《聆听者》,2018,压克力颜料/画布,130 x 130 cm

诚品画廊 :【庄普

左图:庄普,《岁月》,2019,压克力颜料/画布,130 x 130 cm;右图:庄普,《有逗点句点的风景》,2005,压克力颜料/画布,52.1 x 37.5 cm

诚品画廊 :【庄普

庄普,《当时明月在》,曾照彩云归,2018,压克力颜料/纸,27.8 x 23.8 cm

诚品画廊 :【庄普
    展期

    日期:2019-10-19 ~ 2019-11-17

    地点

    台湾台北市信义区松高路11号5楼

      展览:庄普——幻觉的宇宙
      展期:—11月17日
      地点:诚品画廊 ∣ 台湾台北市松高路11号5楼
      开放时间:週二~週日11:00-19:00(週一休馆)

      诚品画廊将于二〇一九年十月十九日至十一月十七日举办庄普个展「幻觉的宇宙」,推出艺术家二〇一七至二〇一九年所创作的画布、水彩、装置,以及二〇〇五年纸上炭笔等作品,呈现其近年来对如何在后抽象道路上继续发展极简艺术的思考,以及对于宇宙、自然与艺术、人之间关係的想像。此为诚品画廊与庄普三度合作个展。
      在一九七〇年代末,庄普开始以一公分见方的印章代替画笔盖印出光谱的色彩和内容,开闢出一条他所说「像是几何形态的后抽象道路」。庄普的作品是没有对象物的描绘,他在展览的创作自述中写道:「我在一九八〇年代以来的几何绘画,便具有自身的解释性,也具有与冷僻纯粹的现代主义没有的温度,它可以是历史的、情绪的或是不同于中心性的其它视角形态。」于此,庄普违逆了「形式就是一切」的古典低限主义,他的新几何艺术以《白露收残月》、《和光同尘》等诗意的词语而非「无题」为作品起名,使用带有功能性、指涉性的现成物例如树枝、石头、角铁或工业材料丰富绘画内涵,更製作立体的空间装置刻意牵引出现实生活的真实感。

      以「幻觉的宇宙」作为展览题目,是因为庄普近年体察到自己在创作时所关注光的折射与分析等均为物理现象,好像在无形之中遵守着近似古代哲学的宇宙秩序,即以机械式的想像去概约无限的宇宙整体,建构出某种宇宙幻觉。同时他的作品富含人为的情绪和叙事性,则在这宇宙幻觉之外延伸出一个微观的世界。换句话说,他追求规律与均值的表现形式,然而穿过表层深探之时,便能发现每一件作品实则各有风情,阐释独一无二的情感和意识,并且蕴藏东方人文的诗性。对此,庄普认为他的创作是「以低限几何作为中介,去表现人对于宇宙的幻觉,正如同绘画也是一种幻觉」。

      Exhibition: TSONG Pu—Illusions of the Universe
      Date: October 19—November 17, 2019
      Venue: ESLITE GALLERY ∣ 5F, No.11, Songgao Rd., Taipei 11073, Taiwan
      Hours: 11:00-19:00, Tuesday—Sunday (closed on Monday)

      ESLITE GALLERY is pleased to present “TSONG Pu—Illusions of the Universe” from October 19 to November 17, 2019, featuring canvas, watercolor and installation works made between 2017 and 2019 by the artist. Charcoal on paper works from 2005 will also be on view. These works reveal TSONG Pu’s thoughts on minimalist painting in a post-abstract art era, as well as his imagination of the relationship between art, man, nature and the universe. This marks his third solo project with ESLITE GALLERY.
      Since the end of the 1970s, TSONG Pu is known for his unique take on producing paintings in a geometric style using 1 cm-by-1 cm chops and an array of colors over the spectrum. His works are not projections of any particular object. He explains in his exhibition statement, “The geometric paintings I have made since the 1980s are self-explanatory. They contain a sense of warmth unfound in modernism, which is usually stripped of emotions. My work is about history, sentiments or perspectives that are outside of the mainstream.” As such, it is clear that TSONG Pu takes a rebellious stance against the extreme simplification of form proposed by classic minimalism. His new geometric paintings assume poetic names such as White dew eliminates old moon and A space, where the same dust is seen in the light instead of being “untitled.”He uses objects of functions and insinuations such as branches, rocks, metals or industrial materials to allow more interpretations of his paintings. He also makes three dimensional installations to purposefully connect his art to reality.

      This exhibition is entitled “Illusions of the Universe,” because TSONG Pu has realized that many of his considerations when making works actually pertain to physical phenomena, such as reflections and analysis of light. It is as though he is unconsciously following the order of the universe, and attempting to encapsulate the universe through a methodical, or even mechanical manner.In doing so, he is essentially creating illusions of the universe. At the same time, his works are also microcosmoses of rich sentiments and narratives. TSONG Pu’s art, in other words, assumes an orderly and structured appearance, but passing through the surface and digging deeper, one will discover that each painting is unique in its own right, infused by the artist’s lyrical emotions and thoughts as well as embodying Eastern poetics. “Minimal geometric art is a medium for me to portray man’s illusions of the universe, just as painting is a kind of illusion,” reflected TSONG.

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